Mesmerizing. Fearless. Challenging. Indispensable. ‘Contours’ is a gripping record that will compel you to play it again and again. There’s one track called “Mellifluous Cacophony”—an apt description for this extremely progressive hard bop session that occasionally flirts with the avant-garde. You’ll hear beauty, anger, sadness, longing, confusion, and elation…the range of the music is staggering. It does have occasional sharp elbows so those who prefer a more distinctly melodic tonal center may have moments of panic but hold on tight—it’s worth it. Definitely music more for the head than the dancefloor. Intense, fascinating, dynamic, and endlessly replayable—the hallmark of a great, classic record. Mad respect to Sam Rivers (sax/flute), Herbie Hancock (piano), Freddie Hubbard (trumpet), Ron Carter (bass) and Joe Chambers (drums) who gathered on 21 May 1965 to create this rare unicorn. This is a brand new reissue, the latest in @bluenoterecords “Tone Poet” series overseen by Joe Harley. Sonically, this is some of the best work he’s done—spin this one for your friends/family who don’t understand the lure of vinyl. Props to all involved here…original pressings and reissues are all long out of print, and prices have gone sky-high. Now for $30 or so, you can own one of the all-time great under-recognized jazz records that sounds better than ever. Highest recommendation @jazzsaraswati @herbiehancockofficial