Bassist Curtis Counce formed his working quartet in 1956, and over 15 months they cut roughly four LPs of material for producer Lester Koenig’s Contemporary label. ‘Landslide’ was the first to be released in 1957 (also issued in mono as The Curtis Counce Group C-3526). All of the Curtis Counce quintet’s albums are worth hearing, but I’m particularly drawn to this one and the follow-up ‘You Get More Bounce With Curtis Counce!’ ‘Landslide’ has several notable performances. The title track by Harold Land is a burner with an extra gold star going to Jack Sheldon—his trumpet work across the album is uniformly terrific but on this track in particular it’s STELLAR. (Side note—Sheldon is the voice of School House Rock’s “Bill on Capitol Hill” and “Conjunction Junction” for those with fond memories of 1970s morning television). The other album highlight is the quintet’s take on Kenny Clarke/Gerald Wiggins’ “Sonar” which to my ears is the album highlight. The quintet blends “west coast” cool jazz and hard bop brilliantly, and while each player brings their “A” game, please direct your ears towards Frank Butler’s superb drum work. Butler is *SO* dialed in to every moment, leading or supporting with a nearly telepathic ease. He’s not an especially flashy player, so when he steps up with a fill or roll to accentuate a moment, or when he puts a bit of extra muscle into his bass pedal work, it changes the vibe of the entire group dynamic and the feel of song. Remarkable. Finally, high marks for how well engineer Roy DuNann captured this session—every instrument is clear and perfectly balanced. Great listen! Curtis Counce (bass), Jack Sheldon (trumpet), Harold Land (tenor sax), Carl Perkins (piano), & Frank Butler (drums