The creative vortex that Wayne Shorter created in the mid-60s was more powerful than gravity. Already a legend on tenor sax, he was also the compositional linchpin in @milesdavis Second Great Quintet. In that role, he was co-piloting Miles’ unique brand of “freebop” that was a nod to less structured playing around a specified time signature or tonal center, without the anti-melodic dissonance that drove Miles batshit. Yet so deep was Shorter’s wellspring of creativity that he continued moonlighting as sideman and leader, delivering tons of compositions across eight albums for @bluenoterecords as a leader while working with Miles, *PLUS* sessions with Lee Morgan, Art Blakey, @mccoytyner and Tony Williams. This album ’The Soothsayer’ has an interesting history as it was—like the equally excellent ‘Etcetera’—shelved shortly after recording and didn’t see the light of day until 1979. That’s not reflective of quality—this is right up there with @wayne.shorter mid-60s, post-bop best. Recorded only a few weeks after the classic Second Great Quintet’s maiden voyage ‘E.S.P.’, this was Shorter’s first sextet date since his Jazz Messengers years but sounding NOTHING like those older hard bop dates. With his Miles cohorts Ron Carter (bass) and Tony Williams (drums) on board and brimming with enthusiasm and ideas, they inspire James Spaulding (alto sax), McCoy Tyner (piano) & Freddie Hubbard (trumpet) to step out of the hard bop box, toying with time, tempo and harmony—sometimes all at once. It’s not noisy, or difficult to follow though there’s often a LOT going on here. To my amazement, there’s an elegance to how marvelously this swings despite the apparent complexity of the underlying structure (or lack of it when they cut loose). This record is THE CRUSH. This is the now scarce/rare @musicmattersjazz 2XLP 45RPM pressing. I’m also appealing to the powers that be— @donwas @jazzsaraswati @musicmattersjazz—please do a proper vinyl release. SRX, Tone Poet or Kevin Grey cut BN. The CD and digital versions are kinda meh sounding and this absolutely FANTASTIC music deserves better. Please?