Recording for this gem occurred during this week in 1970. Inevitable comparisons to @milesdavis ‘Bitches Brew’ continue, but they ring slightly hollow to my ears. BBrew was the Big Bang of jazz/rock fusion. ‘Blackstone Legacy’ is 100% jazz through and through. The record is amped with a healthy dose of electricity via George Cables on electric piano, and the presence of some bass clarinet courtesy of the amazing Bennie Maupin, which might trick you into thinking about BBrew, but this record doesn’t have any rock music DNA at all. Instead, immerse yourself in electrified post-bop, inside/outside modal journeys that are all fairly long, with enough free elements to be surprising, challenging and engaging. Shaw and Bartz are clearly having a lot of fun playing together, and Maupin picks up both tenor sax and flute to join in as well. Standup bass duties fall to the legendary Ron Carter, while electric bass is wielded by Clint Houston who would collaborate frequently with Shaw for years to come. Houston wrote the track “Sunshowers” on Shaw’s breakout ‘Rosewood’ LP (my fave jazz record EVER) which is one its most endearing tracks. Finally, future Return to Forever drummer Lenny White just kills it on skins, hitting them with a fast, firm punch without ever overplaying. All compositions are by either Shaw or Cables. This is a first pressing on Contemporary S7627/8, stereo. Wild stuff