A tale of two sides, with Byrd mostly in the composer’s chair across both. Side A is classic Byrd in hard bop mode, leading a quartet that includes his mentee Herbie Hancock on piano and a young Wayne Shorter on tenor sax. Butch Warren (bass) and Billy Higgins (drums) anchor the proceedings which begins with ‘Pentacostal Feelin’, gospel-influenced rug-cutter, then moves into a mellower groove with the lovely “Night Flower”, followed by the groovy mid-tempo “Nai Nai” which features a KILLER Wayne Shorter solo. Side B is where things get even more interesting as some of the hard bop goes sideways, modal playing becomes a thing and the resulting swing is just EXPLOSIVE. “French Spice” manages to pique your curiosity and rouse your libido at the same time. It’s definitely about foreplay and/or should be played during. Then there’s the title track which gets caught in several post bop riptides, manages to break free momentarily, only to get pulled out even further. It’s pretty freakin’ great. The song really takes its time to develop, morph, evolve and explore the edges. Wildly enjoyable. Byrd made a lot of strong-to-great records in the 50s/60s, all of which have some facet to recommend but for me this one stands a cut or two above the others. Highly recommended. Recorded on this day 11 Dec, 1961 but held for release until 1966. This is one of the few original first pressings in my collection—BLP 4118, mono.