Imagine Thelonious Monk’s 60s quartet attempting a mellow, modal, ‘Kind of Blue’-esque album, occasionally infused with a quirky, British sense of humor. Now imagine something even better than that. Go right to the standout track “Starless and Bible Black,” which has been called one of the greatest British jazz tracks ever (for good reason). This is a truly unforgettable performance, seductive and evocative. It sets quite a a mood—the night is shrouded in mystery, and one can choose to embrace the darkness with all its uncertainties, or close the shutters to its risks and remain in the safe, warm light of home. Compositional credit goes to pianist and leader Stan Tracey, but the hero of this particular track is tenor saxophonist Bobby Wellins, whose solo could go toe-to-toe with any of the great tenorists from the US jazz scene in that stellar year of 1965. Spectacular. The rest of the album is of uniformly high quality, though it’s tough to compete with “Starless and Bible Black,” which is just one of those rare jazz tracks that transcend the top shelf. I’d be remiss if I didn’t mention stellar bass performances by Jeff Clyne and excellent drumming by Jack Dougan. Overall, there’s a relaxed vibe to many of the tracks here, but don’t confuse that with laziness. This quartet is in it to win it, even if they choose not to drive in the fast lane often. There are several different vinyl pressings, ranging from “semi-affordable, and findable if you’re willing to put in the effort” to “if I find a M- copy, I’ll have to re-mortgage the house and sell the children for scientific experiments” *BUT* happy news! It is readily available digitally. You can listen RIGHT NOW! This copy is a 1969 pressing of the 1965 Landsdowne session Columbia/EMI SCX 3589, stereo. PS—This “Starless and Bible Black” has nothing to do with King Crimson AT ALL…sorry to disappoint you, my fellow prog rockers!