Elvin goes to work leading a piano-less trio with longtime cohort Jimmy Garrison on bass, and Joe Farrell on tenor/soprano sax, flute, and piccolo. Everyone contributes a composition, which are matched with some well-chosen originals that showcase the versatility of this trio. For three guys, they sure make a lot of great noise, and I mean that with the utmost respect. In the world of rock, I’d say the same thing about Rush—they also sound WAY bigger than three guys. The sound is helped by a particularly sweet mix. It’s easy to see why Ron, Joe, and the rest of the Music Matters crew chose this one (and ‘Genesis’) for release. The music is generally high intensity, modal and advanced hard bop. Stylistically, it rarely strays into the mid-60s Coltrane sound one might expect. Yet there’s a power here that’s unmistakable. A presence that makes the session feel…charged. This is really excellent music that I highly recommend. ‘Putin’ It Together’ was Elvin’s debut for Blue Note as a leader, and set a high bar for his tenure at the label. He hit that bar and raised it on subsequent releases, particularly ‘Genesis’. I’ve not heard all of Elvin’s releases from the late 60s/early 70s, but every one that I have heard has been excellent and I look forward to discovering the rest. Recorded on this date, 4 April, 1968.