audiophilevinyl

Grant Green ‘Sunday Morning’

I love the way Grant Green’s 4th album floats atop the room. Mixing standard and originals, this aptly titled and FANTASTIC record tends to get lost amongst Green’s better-known albums. That’s a drag because Green’s quartet, which features the Bens (Tucker on bass and Dixon on drums) along with the underrated Kenny Drew on piano, knock this 1961 session out of the freakin’ park. Green and Drew are incredibly well-matched…just amazing playing across the board. Drew is the hero of the session with line after line of melodic, graceful, fleet-fingered magic that goes toe-to-toe with Green’s propensity for single-line playing. I must call attention to the presence of the bass in the mix here which cuts through in a way that’s prominent and pleasing—if you’re one of those folks who strains a bit to hear the detail in acoustic bass when it isn’t occupying enough of the soundstage, this record will blow your stack. Great day at the mixing console by the Notorious RVG. Put down your phone/tablet/laptop, go to your record store of choice and pick up this brand new reissue from Slow Down Sounds RIGHT NOW. A late contender for my top 10 vinyl reissues of 2019, this all-analog, Kevin Gray cut, gorgeous tip-on (and heavy) jacket replica is VERY reasonably priced and sounds incredible. This is up there with Music Matters and Tone Poet in terms of sonics and overall quality @slowdownsounds

Clark Terry

Continued excellence from SAM records! Clark Terry (trumpet) leads several of his fellow Duke Ellington Orchestra colleagues through three originals (“Serenade to a Bus Seat” is especially terrific) and a few standards. This session was recorded in Paris circa October 1959 and released in 1960 as Decca 153.924. Paul Gonsalves (tenor sax) is a well-matched sparring partner for Terry, and they’ve got a fantastic rhythm section that includes Raymond Fol (piano), Jimmy Woode (bass), and G. T. Hogan (drums). The opening, ten-plus minute track is a laid back masterclass in building narrative—it’s clear that everybody arrived with their “A” game—and whether romping through Monk’s “Pannonica Ou Les Liaisons Dangereuses 1960 No 2” or Ellington’s “Satin Doll”, this quintet is eager to showcase their skills beyond their work with the Ellington Orchestra. So the music is great, but that’s only half of it… @samrecordsfr has a well-earned reputation for EXTREMELY high quality vinyl reissues and this one is no exception. Remastered from the original tapes on 180gram vinyl with a glossy, flipback album jacket, this is a near-perfect reproduction of the original, and includes a double insert with a great shot by original photographer JP Leloir. They also inspect each record by hand to check for defects—this one as well as any other Sam Records reissue I’ve gotten has been perfect…centered, flat and quiet. Sonics are top shelf. Highly recommended but act quickly as this edition is limited to 2000 copies worldwide, and previous Sam Records editions have sold out and secondary market prices have gone WAY up