davidfatheadnewman

Lee Morgan ‘Sonic Boom’

Other than the title track, this terrific hard-bop session was recorded this day, 28 April, 1967. Morgan is backed by frequent collaborators Cedar Walton-piano, Ron Carter-bass, and Billy Higgins-drums; as well as new-to-this-crew David “Fathead” Newman on tenor sax. Shelved Session Syndrome vaulted this material until release in 1979 on the LT series with its trademark Windham-Hill-by-angsty-teen artwork. The CD issue adds a discs-worth of bonus tracks that were originally paired with the 1978 Twofer Classics issue of ’The Procrastinator’. (Note: those bonus tracks were also issued as a standalone LP in Japan-only as ‘Lee Morgan and His All-Star Sextet’, but what fun would collecting be without confusion and additional expense, right?) All the tunes are solid, up/mid tempo Morgan originals, save the ballad “I’ll Never Be The Same”. ’Sonic Boom’ tends to get a bit lost in Morgan’s late 60s discography, all of which is worth exploring as he never really made a dud of a record. Seems like until recently you could find original pressings of ‘Sonic Boom’ pretty easily/inexpensively but like all Blue Notes, the prices seem to be creeping up they are getting scarcer. I’d certainly say that it’s worth acquiring if you run across a copy. There is a Scorpio pressing from 2009 sourced from CD that’s cheap if you don’t mind a RINO or want a filler/shelf copy until you can locate a better one. I’d rank it maybe a notch below ’The Procrastinator’ but as I have a particular love for that record, my personal bias is in play. But absolutely get ’The Procrastinator’ first…that record RULES

Lonnie Smith ‘Think!’

Get yer groove on this Sunday morning with ’Think!’, the latest chapter in @bluenoterecords 80th anniversary celebration. Featuring Lonnie Smith (organ), Lee Morgan (trumpet), David “Fathead” Newman (tenor sax, flute), Melvin Sparks (guitar), Marion Booker, Jr. (drums), Henry (Pucho) Brown (timbales) and the double barrel conga propulsion of Willie Bivins and Noberto Apellaniz, this is an EXCELLENT soul jazz outing. Named for the cover of the Aretha Franklin hit, it’s a mix of Smith originals and a couple of cover tunes all beautifully executed by this fine band. Highlights include Smith’s original “The Call of the Wild” with its patient, slightly eerie, exploratory build to its wild, groovy finish and the opening track, a cover of Hugh Masekela’s “Son of Ice Bag” which—paired with a strong cuppa—will definitely get your blood pumping and head bobbing. Soul jazz isn’t often at the top of my preferred jazz sub-genres but this record is a keeper—great tunes, great playing, and GREAT job on this analog cut by Kevin Gray—this is a really, really terrific sounding record. At about $20 retail, a solid value. I don’t have an original to compare it with, but given many original pressings of Blue Note records from 1968 are either 1) “well-loved” (read: trashed) or 2) “well-cared for” (read: expensive), this newly issued version is recommended without hesitation. This was Smith’s second LP but his first for Blue Note…he’d go on to release quite a few more (including one as recently as last year) and he received the honor of NEA Jazz Master in 2017. More power to you Dr. Lonnie Smith @drlonniesmith @icalledhimmorgan