tyronewashington

Tyrone Washington ‘Natural Essence’

‘Natural Essence’ is tenor sax enigma Tyrone Washington’s “one and done” as a leader for Blue Note. Recorded 29 Dec 1967 with a formidable lineup of Woody Shaw-trumpet, James Spaulding-alto sax/flute, Kenny Barron-piano, Reggie Workman-bass & Joe Chambers-drums, this is one of those inside/outside records that grabs you on the first listen and then reveals itself even further with repeat spins. Washington’s approach nods to several contemporaries including Coltrane, Wayne Shorter and Joe Henderson, though he’s clearly got some Eric Dolphy in him as well. The compositions are all really interesting, requiring a band of this caliber to pull them off so well. Even during the quieter moments, there’s a perpetual restlessness afoot that makes you feel that this band is eager to explore all the potential tangents within the compositional framework. A disappointing fade out and what sound to my ears like one or two unnecessarily shortened solos make me wonder exactly how far out they could have taken some of these tunes! While there are sharp elbows from time to time, this isn’t an avant or “out” record at all. I’d classify it as modal/advanced hard bop, with the occasional left turn into skronkville but those moments don’t occur very often. The last track “Song of Peace” is probably the freest. It’s an environment that Joe Chambers thrives in, and those who’ve enjoyed his work on some of the in/out LPs by Bobby Hutcherson or Grachan Moncur will enjoy his work here a great deal. Washington only made a couple of records as a leader, though he also did notable sideman work on Horace Silver’s ‘The Jody Grind’. He recorded last in 1974 before dropping out of music and finding religion, never to record again. This LP is a bit of a rarity on vinyl but turns up more often than you’d expect, and it is widely available across the digital spectrum. Don’t miss it! While not a household name, it’s a terrific, unconventional title that deserves wider recognition